Ryan Reynolds’ latest film “Mississippi Grind” premiered at the Walter Reade Theater at Lincoln Center Tuesday night.
In attendance at the world premiere was Ryan Reynolds and the directors of the film.
“Mississippi Grind” is about a gambler named Gerry (Ben Mendelsohn) from Iowa, who, like most gambling addicts, finds himself in a bit of a pickle. He’s broke. He’s losing all of the time. He owes a lot of people money.
Insert Curtis (played by Reynolds). He walks into Gerry’s life like a beautiful leprechaun, bestowing incredible luck upon him.
Curtis is a bit of a drifter. He has no set home. He just travels all over the place. Even though he’s a bit of a good luck charm for Gerry, he doesn’t care about winning…mostly because he wins all of the time. He doesn’t really ever lose.
Curtis is drawn to people like Gerry, guys on self-destruct mode. He’s tried to help other people like him in the past, people that need help seeing how they can become a better person. Yet, all through this, you wonder if he is truly trying to save Gerry from himself? The answer is: who knows.
After being threatened by some loan sharks, Gerry gets this idea that he should go to New Orleans to win enough money to pay off everyone. He doesn’t have much money, so he asks Curtis for a $500 loan. The buy-in to the poker tournament in New Orleans is $25,000. Gerry proposes they stop in a few places on the way to New Orleans to win the money they need. Curtis fronts him $2,000 and they head on an epic journey from Iowa to New Orleans to win it big.
There are very few movies I have on my list of films that you have to see at least once in your lifetime. These are the films that change you or open your mind in such a way that the movie becomes a part of you. You become a very different person after seeing it. These are the films that changed the way you saw reality and opened your mind to greater understanding.
Two of the films on that list for me are “American Beauty” and “Life is Beautiful.” Both, of course, ended up winning an Academy Award for best picture (“Life is Beautiful” won for Best Foreign Film at the Academy).
This year, though, I’ve had the pleasure of viewing a few more films that need to be added to that list. “Family on Board” (short film), “Winter” and now “Labyrinth of Lies.” All three films are currently up for Oscar consideration.
“Labyrinth of Lies” is a German film directed by Giulio Ricciarelli due to be released in the US in select theaters on September 25, 2015. What makes this movie so unique is that it is an eye opener for the Baby Boomer generation and beyond of how the world came to know what happened in Auschwitz after World War II.
Many of us came to know the Holocaust as being a part of history. We knew it happened. But for the 20 years post WWII, the world did not know what happened at Auschwitz, especially the German people. It wasn’t just denial, people believed in the propaganda put out by the Nazi party. They believed the Jews were being relocated to either a new city or a summer camp. They had no idea that thousands of people were murdered there.
That was what was so mind blowing about the film. The people of Germany, especially the youth and the 20 somethings, had absolutely no idea what happened. They hadn’t even heard of Auschwitz. That is, until a young prosecutor decided to investigate a crazed reporter’s request to look into a teacher who was one of the soldiers at Auschwitz. No one would take the request in his office, because many believed that it was just the normal course of the war. People die in wars. It wasn’t murder.
This leads the young prosecutor on a journey to discover what happened in Auschwitz and why the reporter believed what happened there was murder. They had already missed the window for any criminal charges (if any) to be filed, that is, except murder. Murder was the only charge that had no statute of limitations. If they could find that an actual crime of murder took place, then they could proceed with their investigation.
They found the evidence they needed to begin and the attorney general, Fritz Bauer, allowed them to proceed, choosing this young prosecutor, who knew nothing of what happened at Auschwitz, to lead the investigation. What unfolded for them was a labyrinth. A labyrinth of lies, deceit, political barriers, international barriers, corruption, and the idea that everything is okay and nothing is wrong.
After the war, many of the Nazis returned to a civilized life. They were kind, normal people just like everyone else. They did not believe they did anything wrong in Auschwitz, or at the least, they were protected by the Nazi Party members who were still in the bureaucracy. To many of them, they were just doing their jobs. It was a war. But as the story unfolds, the question of whether this was the normal course of war or actual murder is answered.
One of the most powerful moments in this movie is when they interview the witnesses. There are no words spoken. It’s just music. You see the shock and emotional expressions on their faces. You have no idea what is being said, but for the audience, you can imagine what is being said. This is the part of the movie where every story you’ve ever heard in your lifetime of what happened in Auschwitz comes forward. It is as if each of these witnesses are telling the stories you read or heard about. From the mass killings to the experiments to the shoes that are now sitting in the Holocaust Museum…these are the images you see flashing in your mind. It all of a sudden becomes so real, that you can’t help but be on the verge of tears.
Yet, there are no words being said. The music is what directs that story in your mind…and it is a powerful, yet horrible story.
This film is not another movie about the Holocaust. It’s a movie about how justice was brought for the victims for the very first time after the war. It wasn’t just about finding the murderers, it was about telling the victims’ stories instead of silencing them. The difference between what happened in these trials vs. the Nuremberg trials is that Nuremberg was about the victors dictating to the losers after the war what was going to happen. It wasn’t about bringing justice to the victims of the Holocaust. They didn’t even know about the Holocaust during the Nuremberg trials. It was the Frankfurt Auschwitz trials that brought the Holocaust to light and brought justice to its victims. It was also the first time that Germany was holding themselves accountable to the shame they brought to Germany and humanity.
That is one of the most important characteristics of this film. The director doesn’t want you to see or feel anything but the story. He doesn’t want you to pick out the elements of the cinematography or the music, etc. He wants the story to speak to you. He wants every single element in the process of the movie to come together to create the story. If you pick out any single element that goes beyond the story being told, it is as if he didn’t do his job correctly. This was purely about the story.
Ricciarelli was at the private screening at The Roxy Hotel last night and spoke about his film. Here’s the audio from the Q&A session with Hudson Union Society.
One of the things I kept thinking about after this film is how our world is still like post-WWII Germany. We become blind to the atrocities that we are still doing in the world. Even in America, we target a certain group of people and call them the enemy. The way this information is disseminated on why they should be our enemy is the same kind of propaganda the Nazis used during the war. Propaganda is a way of keeping people blind to the reality of what is truly happening.
If anything, this movie is not just a historical drama, it is a way of reminding ourselves not to repeat the past. Don’t be blind to what is happening in the world. A government proclaiming any group of people (like Muslims, Arabs or Mexicans) as our enemy should be a red flag to the world. No one should be persecuted for what they believe in, where they were born or the parents they were born to. Everyone is human and they have a right to live as human beings. Our willingness to remain blind silences those who have become the victims. Their stories need to be heard.
After the New York City International Film Festival, the award winning short “Family On Board” made a trip to Cannes, France for the Cannes Film Festival. Now, the film is heading to Hollywood! The film short is headlining the HollyShorts Monthly Screening Series on June 25th at the TCL Chinese Theatre.
Tickets to the series are currently on sale. You can purchase them for $15 HERE. If you share the event with your friends at checkout, you can get $2 off your order.
For those actors in Hollywood looking for work, you may get a chance to be in the upcoming full feature film. Here’s how you can be considered:
Pogatsia is sticking to his motto that actors and filmmakers should champion each other. All LA actors who come out to support Family On Board at HollyShorts will be given special consideration when casting begins for the feature (in development). Hashtag #FamilyOnBoardmovie to any of Family On Board’s social media accounts with a photo of yourself with your ticket stub at the event. Academy Award-winning director John G. Avildsen (Rocky) is interested in directing.
Here’s the full press release:
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If you’re in LA, I highly recommend going to see this film. It is a film you will never forget. If you’re in the business, this is definitely a film you want to be a part of.
While I would normally do a general review of a film, “Testament of Youth” will be a little different because this film hit very close to home for me.
Synopsis – This film is based on the memoir written by Vera Brittain (played by Alicia Vikander from “A Royal Affair”). This young woman’s sole desire was to go to Oxford, just like her brother. Her father wanted her to remain home. As a consolation, while they were out swimming with a friend, her father purchased a piano for her. It was enough money to pay for one year at Oxford.
When she arrived home to discover this, she was angry. As she’s telling her father that she will never marry, not ever in this lifetime, the man she would fall in love with walked into the house. Roland Leighton (played by Kit Harington from “Game of Thrones”).
This was right before World War I began.
Her brother managed to talk their father into letting her take the entry exams at Oxford. SPOILER ALERT: She got in.
As she prepared to go to Oxford with her brother, Roland and friends, the Great War began. All of the boys decided to sign up.
During the summer before the war, Roland and Vera started to fall deeper and deeper in love with each other. When Roland broke the news to her that he had enlisted, it was on the day they should have been heading to Oxford to begin school together.
As more time went on, she decided she had to do something, so she took leave from Oxford to work as a nurse. She started in the hospitals in Britain before later heading to the front.
War changes people. Roland was no exception. He tried to put the walls between them, but she refused to allow him to do it. That was when he proposed to her, promising to marry during his next leave.
SPOILER ALERT: He died. On the day they were to wed, his mother called the hotel to inform her that he had died.
He wasn’t the only one that died in the war. Her brother died, as well as their friend, Victor. She lost all of the people she grew up with and loved to the Great War.
After the war had ended, she became one of the greatest female pacifists in history and a writer.
Close to Home
If I’m going to be honest, I almost got up and left several times. It wasn’t because the film was bad. Quite the contrary. It just hit a little too close to home for me.
Before Roland died, I knew it was coming, because like Vera, those moments of reflection reminded me of having those moments. You remember their skin jutting out from their shirt sleeves, the way their hair tossed in the wind, the way they looked at you, the way they smelled, or the way their heart beat against their chest. You remember how it felt when they touched your skin. You remember that pure, untainted love.
These are the memories that stay with you forever. These are the memories you create with your soulmate. Roland and Vera were soulmates.
There were so many elements to what happened in this story that was just like my life story: the need to know exactly what happened when he died, the writings he left for her, being separated due to choices, being taken away at such a young age. All of these elements to Roland and Vera’s story gave me goosebumps. It made me remember my own soulmate. He killed himself just two weeks before my high school graduation.
You have to learn how to live after your soulmate dies. There was a quote in the movie that stuck with me: “We are all surrounded by ghosts. We just have to learn how to live with them.”
The director really communicated what that loss felt like. There were even moments where Kit Harington (with his clean cut) reminded me of those memories I had made with my soulmate.
For those who have felt that great loss of losing your soulmate, you can begin to understand why she took the stand for humanity…to say no to war. War was what took the people she loved deeply away from her.
Her stand against war was about those who have lost loved ones due to war. It wasn’t about politics. It was about humanity. Each side is sending their fathers, brothers, fiancés and husbands to fight in a war. Each side is losing those very people. Each side feels that loss just as deeply as the other side. Her pacifism was about protecting human lives, not about where those lives came from or whose side they were fighting on.
As each person approaches the end of their life, they’re not talking about killing the enemy. They’re calling out to the people they loved.
I’ve been in Vera’s shoes. I’ve been in them for 20 years now…the part where I’m learning how to live with those ghosts. The end of this movie was very important. It was about remembering and honoring those men she lost. When you lose your soulmate and people you were very close to, you can sometimes be on the brink of insanity. You try to forget them in order to survive another day. There were times where Vera almost completely lost herself in her grief.
Vera’s choice in the end was not to forget them. What she did was take that pain and suffering and turn it into something better. The truth is, the reason why people try so hard to make others happy, or advocate for peace like Vera did, is so that others will not experience the same loss they have gone through. They know what it feels like to be destroyed by that loss. They don’t want other people to experience what they’ve experienced. Even if they put a smile on their face to distract others from seeing their own unhappiness, it’s only in an effort to make sure others never go through what they went through. Some pain and suffering need not be repeated. People will do anything to protect others from experiencing that same suffering. Vera spent her life trying to do just that as a pacifist.
Quotes from Kit Harington (Roland) and James Kent (Director)
Tribeca – Kit Harington and James Kent stopped by after this special screening to talk about the film on Wednesday night.
“She spoke for a generation, because they were the survivors and they needed that time to have the courage to go, ‘No, no more.’ Hitler was beginning to come to power at that time and there was a real fear that Europe could be sliding into something unsavory. I think [Vera] does speak for the lost generation.”
The reason why Harington worked on “Testament of Youth” was because he had read about it in school and knew the story well.
“I knew this text quite well, actually…I studied it at school, both the history and for English literature, studying the war parts. I knew the formidable person Vera Brittain was from her books, from her memoirs. I think that sounds a little bit wishy washy and wanky… Sorry. What I really learned was through Alicia [Vikander’s] depiction of her, I felt it was so accurate, so beautifully done by her that I thought I was talking to that person. In the movie, I thought I was talking to that person, the Brittain I knew very well and loved. That was kind of amazing to experience.”
“I would hope if [Vera Brittain] came back and saw this film, and watched this film in this day and age, in this audience, that she would see a huge difference in who she was.”
“One thing that really scares me about my generation is that we are not as active as [Vera] was. Our discussion is a hard one. In some ways, you can argue that we, with social media, have a greater voice. In some ways, it’s completely dumb’ed down. I think, to me, it’s a very important discussion that has to be had. To my shame, I have never been in a political march in my life. I should have done it.”
“When I first read [Testament of Youth] in school, it actually triggered a real interest in this period for me. I had already been taken to the the Northern War graves, the French War graves, by my father, kind of a right of passage. I think he thought it was important that me and my brother go and see the consequence of war. There’s no better visual consequence than seeing those graves, those names on the wall. I read it at school and it kicked off a far greater interest about that period, about the literature surrounding that period. So when this came through the door, it was important to me that it was done well. Juliette (Towhidi) actually wrote it. I instantly knew when it was halfway through, it was doing it great justice. She had imagined the scenes around the ones that were in the books. They were written and respectfully done.”
On deciding on Kit to play the role of Roland, James Kent:
“What he has is the X-factor, the extra thing, which is a sort of soulful kind of intelligence, intellectual curiosity…a really soulful practical side. It was so important to get Roland right. If you got him wrong, it diminishes Vera as well. That she chose him and fell in love. She wore those dried flowers that you see that he sent her from the front, around her neck in a locket for the rest of her life. She married and she still had these flowers around her neck.”
“It’s very important to me that at the end of the film, she goes out into that pool of water again, because she’s trying to regain the conversation that she had with Roland in the woods where she says she wants to be a writer. He said that you need some experience first. She goes back to that lake with all that experience and finally by going into the water, it’s a baptism. It’s a renewal. It’s a purging. She can make that promise to the boys. I now got what Roland advised me to get. I can now enshrine your story for generations to come. And that’s exactly what you’ve experienced [with this film].”
The film is due out in US theaters on Friday, June 5th.
There are very few films that come into existence that becomes one of the most important films you need to see in your lifetime. “Winter” from Heidi Greensmith is one of those movies that should be on your list of things to see before you die.
This film premiered as the finale at the New York City International Film Festival. It was adequately placed at the end of the festival because it would have blown all of the other feature films out of the water.
Tommy Flanagan (“Gladiator” and “Sons of Anarchy”) stars in this heart-wrenching tale of a man who has lost his way. The film begins with a drunken man that could easily be mistaken as a homeless man. He’s not homeless, he has a home. It’s his son, who deferred a fellowship with Columbia University for two years, who tries to bring his father out from underneath this gloom that has consumed him.
At first, you may think this film is about an alcoholic father who is abusing his kids and has lost the rights to see his youngest son (who is in foster care). No. That is another mistaken assumption.
This story is about a family who lost a wife and a mother to a very violent crime. It’s the story of a man who is broken and blaming himself for his wife’s death. As a result, he falls into an abyss of mental illness. This artist is trying to get his kid back, and his eldest son is just waiting for his dad to return to normal. He sacrifices so much trying to help his father get back on his feet again.
The amazing thing about this story is that it teaches you not to judge a book by its cover. This man’s mental illness came about because of grief and regret. His son put it perfectly. His dad was not crazy. His heart was just broken.
It is in this man’s healing that he returns to painting again, but in a whole new light. He’s a different man working out his demons and creates complete and utter genius. His eldest son saw this from the beginning. He saw the man his father truly was. To him, this story is not about an abusive alcoholic father that has fucked everything up for their family. This story is truly about a man that had a broken heart and lost all sense of himself the day his wife died. He just needed time (and help) to find a way out of that grief.
I believe this quote from Lisa See’s “Snow Flower and the Secret Fan” adequately describes the journey this man takes out of sorrow.
Only through pain will you have beauty. Only through suffering will you find peace.
This incredible tale makes you re-evaluate how you look at life and at people who are going through a difficult time in their life. On the surface, we instantly stereotype them as drunks, alcoholics, abusive/neglectful parents, homeless, mentally ill, etc. All of those labels are incorrect. This man is an artist who is waiting for his next inspiration. He’s waiting to discover his own genius that is inside of himself.
Sometimes it takes a life-changing event to discover the genius within. That is the journey this artist was on.
Tommy Flanagan’s role was phenomenal. The way his various emotions were captured on his face…it is a moment of beauty and brilliance. This role opens your eyes to see how incredible of an actor he is. I would say, one of the best in the business after seeing him in this film. He brought his A+ game to this film and his performance is Oscarworthy.
In the story, the eldest son tried his best to keep the family together and help his father at the same time. He is the real hero of the story. The way he saw who his father was deep down inside, most children are not that perceptive. They would have cowered in fear, be mortally wounded with each derogatory word yelled at them. Not this kid. He was just waiting for the genius he saw within his father to emerge. What he was willing to sacrifice for his father to discover that, shows just how much he loved him.
Heidi Greensmith has brought this thought-provoking tale to the screen. Most importantly, you need to note that she is a female director. There are very few in the business. She’s also a mother and a wife and despite her other duties, she was able to make something this brilliant.
The film picked up an award for Best Drama Film at NYCIFF. Tommy Flanagan picked up the award for Best Actor in a Leading Role. Heidi Greensmith picked up the Best International Director award.
Congratulations to everyone from “Winter.” This film was brilliance.
(Courtesy of George Pogatsia, Director, Writer and Star of “Family On Board”)
The big news coming out of the New York City International Film Festival (“NYCIFF”) is that “Family on Board” and “Malan Breton: A Journey to Taiwan” were submitted to the Academy of Motion Picture Arts and Sciences for a 2016 Oscar consideration.
“Family on Board” won in every category the short film was nominated in. It picked up three NYCIFF awards for Best Narrative Short Film USA, Best Director in a Narrative Short, and Best Actor in a Leading Role in a Short Narrative Film.
You can read more about the short film Here and Here.
Congratulations to everyone that was a part of “Family on Board.” If you get an opportunity to see it, it is a must see. This short is the type of production that sticks with you long after you have seen it. You will constantly be wondering about the fate of Mike Petito. It will leave you with questions on whether a hero trying to save someone deserves to be thrown in prison. It will also teach you a life lesson about staying true to yourself no matter what the circumstances are.
Kudos to George Pogatsia. He created a masterpiece which (hopefully) is the beginning of a much bigger masterpiece down the line.
We’ll keep you updated on the film’s journey to Oscar night.
Opening up the NYCIFF gala on Thursday night was a heartbreaking film short from George Pogatsia called “Family on Board,” a story of a man who attempts to help save his neighbor who is being abducted after a burglary in their home. What could be seen as being a heroic moment, he gets the book thrown at him by the justice system as he is portrayed as a violent vigilante and is sentenced to five years in prison.
Being a family man, he is forced to leave his wife and two children. Because of the honorable circumstances surrounding the events of that night, the judge allows him to have a month with his family to get his affairs in order before he is ordered to report to prison.
The events that follow on that morning he reports to prison are the few short minutes that will leave you heartbroken.
Mr. Pogatsia was kind enough to do a short email interview for PerfectionistWannabe.com.
1. What was the inspiration behind the story? Was it based on a true story?
I read a story a while back about a man in Texas who called 911 about 2 guys burglarizing his neighbor’s home. He ended up shooting and killing both. He never recieved any jail time. It made me think, what if this happened in New York City? Also, I was living in downtown Manhattan on 9/11. The towers falling actually woke me from bed and I had a friend who was scheduled to report to prison downtown on 9/11 … I threw those stories into a pot, I sprinkled in my imagination and mixed it up. I came out with Family on Board.
2. While we take a look at the conflict between hero vs. vigilante, the main part of this story is about a man who has to leave his family. We see an outstanding citizen who was trying to do the right thing, but the court has decided differently and he has to leave his family. The irony of this story is that even though he was turning himself in, you have to wonder just what would have happened if he was asked to turn himself in on 9/12/2001 rather than 9/11/2001. He wasn’t just leaving his family for 5 years. He was saying goodbye to them forever. He was able to get those last moments with them that morning, something not too many people were able to do. Why did you choose to write the story this way?
On 9/12 Mike Petito would have reported to prison to serve out his jail sentence. I chose to tell the story this way because I enjoy having the audience participate. I like developing characters they can relate to and care about. I try get them invested in their lives then have them theorize on what happened in the end. Did he leave forever? I hope to provoke thought and discussion. Almost like thinking about an old love and what may have become of them.
3. Will this eventually be turned into a full feature film?
I’m developing a feature version of Family on Board. Tony Sirico (“The Sopranos”) is a big supporter of the project, his role will be considerably larger in the feature. Oscar winner John Avildsen (“Rocky”) wants to direct.
If you get a chance to see this film, I highly suggest seeing it. I contemplated leaving when I realized the day…9/11/01. I didn’t know how far he would take the actual events occurring in that moment. 9/11/01 was a real nightmare that many of us had to live through and haven’t quite healed from. But luckily, the story quickly changed to post-9/11 and I was glued to my seat in those next couple of minutes. It left you questioning just what happened to Mike Petito that day.
I would love to see this as a full feature film, especially with the same cast of characters. It’s a story that will keep you wondering long after you’ve stepped out of the theater.
NYCIFF will host their Awards ceremony on Thursday, May 7, 2015.
During its opening night gala, with actors and directors out on the red carpet for the launch of the festival, the two main features were a film short called “Family on Board” directed by George Pogatsia and the feature film “Phantom Halo” directed by Antonia Bogdanovich.
On the second night of the festival, William Shatner graced himself on the red carpet to showcase his new documentary “Chaos on the Bridge,” the chaotic tale of what it took to bring “Star Trek: The Next Generation” to a television screen.
Fashion designer Malan Breton was also in attendance both nights. He’s at NYCIFF to present his new film “A Journey to Taiwan.”
Family On Board
Tony Sirico (“Sopranos”) stars in “Family on Board.” He was awarded the Lifetime Achievement Award. Matthew Cowles, who also stars, received the award posthumously.
George Pogatsia not only directed, but also starred in this sad tale about a misjudged hero. He was in attendance at the gala on Thursday night.
Here is a clip from the film:
The film leaves you with a lot of questions about more than just what happened. It makes you question whether it’s right for a hero the court has deemed as a vigilante to end up in prison just for saving someone’s life. It’s also about a hero staying true to who he is no matter what the circumstances are.
This short film is a must see.
Phantom Halo stars Sebastian Roché (“The Originals,” “Supernatural,” “Once Upon a Time”), Thomas Brodie-Sangster (“Love Actually,” “The Maze Runner”) and Rebecca Romijn (“X-Men”).
Sebastian attended the gala with his wife Alicia Hannah. Clare Grant (who also stars), Antonia Bogdanovich (co-writer, director) and Anne Heffron (co-writer) also attended.
Here are a few takes from the Q&A:
The story is very reflective of the co-writers childhoods and upbringing.
There is a reference to a ‘pound of flesh,’ but don’t mistake it for a “Merchant of Venice” reference, even though Shakespeare quotes appear throughout the movie, it is purely Anne Heffron’s take on people calling her Asian daughter ‘Chinese,’ when she’s actually Korean.
Heffron is a master of writing male lines.
At the end, Roché and the panel discussed what acting means in an independent film. You’re not doing it for the money in an indie film. You are doing it for the pure passion of what you love, so you bring your A-game to every scene. It’s about the passion of the art.
Gbenga Akinnagbe is not African (like his name would suggest). He is an American, born in Washington, DC. He spent some time living in Mexico. He was not originally cast in the role of Roman. There was another actor cast, but he did not work out.
Roman uses an English accent (like Roché does), but this was a fluke. Roman was not originally a British character. It came about after they were messing around on set.
Even though Thomas Brodie-Sangster speaks in an American accent, it was very important to Bogdanovich that they cast a British actor.
Chaos On The Bridge
William Shatner’s newest documentary is “Chaos on the Bridge.” A movie about the chaos that went into bringing “Star Trek: The Next Generation” to life and into the homes of every American.
If you are a Star Trek fan or even a TNG fan, this is a must see. It will give you a whole brand new perspective of what it meant to create TNG…the chaos that went into it is just unbelievable. Not only is it visually stimulating, but it is absolutely hilarious as well.
Shatner was in attendance both on the red carpet and after the feature to do a Q&A.
Here’s a glimpse at his new film:
Shatner’s next project includes taking a little road trip on his new motorcycle and filming it. NOTE: This isn’t just any kind of motorcycle. You really need to see it.
Fashion designer Malan Breton was in attendance for both the opening night gala and Shatner’s film on Friday night. The designer was at NYCIFF to showcase his new film “Malan Breton a Journey to Taiwan.”
He showcased many of his beautiful designs prior to the film, which was shown prior to the gala on Thursday night.
As you can see in the pictures here (from William Shatner’s night), he wears one of his designs.
Here’s a glimpse of his moment at NYCIFF:
Other glimpses from NYCIFF
Here are a few pictures from the first two days at NYCIFF.